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He was educated at Camphill School, Paisley and Edinburgh University. He was assistant minister at North Morningside Church, Edinburgh 1964-65; minister at Kiltearn, Ross and Cromarty 1965-78; and since then of Canongate Kirk, Edinburgh.
As secretary of the Panel on Worship of the General Assembly of the Church of Scotland, he had a large part in preparing Hymns for a Day 1982.
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(See also DNB)
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(See also DNB; Julian pp.969-970a)
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He studied music in London and Leipzig, and became well-known as a teacher, organist, pianist and accompanist in London. On moving to Torquay he became Precentor and organist at All Saints' Church Babbacombe, 1867-76. He was regarded in his day as a leading authority on plainsong and early church music generally; he wrote several music text-books and contributed to Grove's Dictionary of Music and Musicians. His compositions were mainly of piano and vocal music.
(See also DNB; GDM; OCM)
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Abandoning a career in commerce, he studied at the Royal Academy of Music 1958-60, and held posts of organist at St Anne's Church Chingford from 1945-55; St Andrew's Kingsbury, Middlesex from 1957-60; Guildford Cathedral from 1960-74; St Paul's Cathedral (sub-organist 1974-77; master of the choir 1977-84); King's School Canterbury from 1985-88; and St Alban's Cathedral from 1988-97.
He was music advisor to the Head of Religious Broadcasting at the BBC from 1971, and a member of the committee that prepared Broadcast Praise 1981.
(See also GDM)
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See also DNB; OCEL; Julian p.978a)
William Rossetti's volume contains, as well as all of his sister's published poems, complete lists with dates of her published works, both prose and poetry. The volumes of poetry are listed at the beginning of his Preface, and those containing prose writings at the end of the Memoir. The Memoir itself, although described by him as `brief', gives a very rounded picture both of his sister's life and character, and of the family and household and the literary and artistic circles in which their lives were spent.
The Preface and Memoir are transcribed separately and (except for an omitted section of the Memoir) in full. To view, select
the Preface
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See notes on the Scottish Psalters
(See also DNB; Julian p.979)
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(See also GDM)
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A schoolteacher by profession, he moved to Morriston in 1881 and became precentor at Bethania Chapel, then at Morriston Tabernacle Congregational Church 1892-1927. For many years he also conducted the Morriston United Choral Society.
He adopted `Penfro' (= Pembroke) as his bardic name.
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She was educated at Sittingbourne Girls' Grammar School and the Royal Academy of Music. She taught music in Scunthorpe 1953-55, Stourbridge 1955-58 and in the West Indies 1958-60. An active member of the Methodist Church Music Society, she is Director of Music at Sevenoaks Methodist Church.
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He was the son of an organ-builder and organist. He deputized for his father at St Mary's, Aldermanbury between 1789 and 1793; then was organist at Great Queen Street Chapel, Lincoln's Inn Fields 1793-98; St Anne's Limehouse 1798-1813; and the Foundling Hospital 1801-13. From about 1800 he was pianist and composer to Sadler's Wells and Covent Garden Theatres.
He wrote three oratorios, theatre music, odes, glees, songs, organ and church music. He edited Psalms, Hymns and Anthems for the Foundling Chapel 1809.
(See also DNB; GDM)
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(See also DNB; Julian pp.983-984a)
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(The Rejoice & Sing Enchiridion:edited by David Goodall; last amended 18/5/03)